Showing posts with label review. Show all posts
Showing posts with label review. Show all posts
Sunday, 18 December 2016
REVIEW: Super Mario Run
Back in 2011 late Nintendo President Satoru Iwata proclaimed that Nintendo would 'absolutely not' be making mobile games, and that any moves to do so would see Nintendo 'cease to be Nintendo'. Cut to five years later and, following a more off-the-wall experiment with Miitomo, we have our first fully fledged Nintendo game on iOS.
Super Mario Run sees the portly plumber stripped of everything but his core mechanic: jumping. Mario runs automatically across the screen, with a simple tap making him jump across ravines, onto enemies, and over obstacles. It's a perfect adaptation of the Mario franchise for mobile devices and, being a bespoke offering, is much more welcome than say, a straight port of the original Super Mario Bros.
Contrary to Iwata's prediction, the level designs are classic Nintendo. Initially accessible yet fun to vault your way through, with the challenge escalating across the 24 stages. Whilst I never had any real difficulty in finishing a level, it certainly got more satisfying to do so, especially in the single screen levels. These stages see Mario change direction when he reaches the right hand side of the screen, or run straight through to appear on the left once again a la Mario Bros. These involved a little more brain power to figure out and broke up the pace nicely from the standard 'run to the goal' levels.
Not that those outings are in any way monotonous. Classic Mario levels with green hills and mushrooms, haunted Boo mansions, Pokey infested desert settings, and of course Bowser's nefarious castles are all here and vary massively from course to course. They often have a unique mechanic to help - or hinder - your progress through the level, from enemies throwing huge spiky balls at you from every direction to utilising a well timed shell to clear your path. Every level on offer was a fun and unique experience. Throw in some mechanisms that allow Mario to somersault backwards, or stand still for a moment to time his way through a moving obstacle, and there's enough variety to stop the game ever getting repetitive.
As mentioned, it's fun if relatively easy to power through the 24 levels on offer here. The real challenge comes in collecting the special coins. Each level has five pink coins to locate. Doing so unlocks an ever so slightly modified version of the level with five purple coins to gather and if you can manage that, a further change up gives you a final challenge of five black coins. The pink ones can be collected on your first playthrough of a level if you're switched on enough, but by the time you reach the black coins the challenge can be fiendishly difficult, with the need to perfectly execute a series of jumps across multiple enemies to reach that one coin that's otherwise out of reach. It's a great excuse to keep coming back to the main 'World Tour' mode and there's a few bonus levels available as an extra challenge for those that manage to find them all.
Further replayability can be found in the high score mechanism. By adding friends, either directly via friend codes or by linking your Facebook and Twitter accounts, you can see who has managed to gather the most coins in any given level. It adds a cool competitive element and offers a further challenge to increase your high score.
Competition is the name of the game in the second mode, Toad Rally, which sees you compete against the ghost data of other Mario Run players in order to gain the approval of onlooking Toads. Collecting coins and pulling off sweet jump combinations will boost your score, and the winner will attract more Toads to their kingdom. As well as acting as a 'high score' in your friends table, gathering more Toads for your kingdom unlocks further items in the game's third mode; Kingdom Builder.
A much more serene affair than the other two modes, Kingdom builder lets you spend the coins you accrue in the other modes on buildings, items, flora and fauna, to customise your very own mushroom kingdom. The Toads you unlock in Toad Rally come in various colours, and various buildings require different combinations in order to unlock. It's mostly cosmetic, but there are extra playable characters you can unlock this way with their own unique traits that may help you reach a few elusive black coins back in World Tour mode.
Some may balk at paying £7.99 for a mobile game, but what you're getting for that is the full experience. There are no annoying adverts popping up after every level, no prompts to go and buy extra coins or jewels or any other nonsense. There is no 'pay to win' mechanism. The expansion of your Mushroom Kingdom relies solely on your platforming skills, and for a game that's so well built, packed with this many features and replayability, eight quid is a very reasonable price tag.
The biggest drawback to the game though is the requirement for a constant internet connection in order to play. If you're at home or at work that isn't necessarily an issue. But once you're on the move it can start to scupper any platforming fun you might have. City dwellers won't have too much of an issue, but those of us that live in more rural areas may find that their bus ride into town won't be as Mario centric as they may have hoped. It seems a daft requirement, when the game is ideal to play on a commute, but if you have an unstable 3G connection, or say, a tube journey to undertake, you may find yourself reaching for other games.
All in all, Super Mario Run is an excellent first foray into the mobile gaming market for Nintendo. It's well built, plays excellently, and offers plenty of replayability for it's price tag. The need for a decent internet connection may mean that some won't get to play it when they would ideally like to, but it's nevertheless a great take on the Mario franchise that works perfectly for mobile devices.
Saturday, 29 October 2016
REVIEW: The Answer - Solas
Northern Ireland quartet The Answer have been releasing albums for a decade now. From their debut Rise album they made a firm mark on the UK's rock scene, opening for the likes of Aerosmith and The Who, as well as gaining a special guest slot on AC/DC's 2008/9 Black Ice world tour. Two great albums in the form of Everyday Demons and Revival followed, but in recent times The Answer's story has stalled somewhat.
Their past two efforts, 2013's New Horizon and last year's Raise A Little Hell, whilst solid rock n roll albums, were missing a certain something. Both albums felt almost like the band were trying too hard, ticking all the boxes on paper, yet missing that certain spark and personality that made their earlier efforts so good.
Enter Solas. From the moment the swirling atmospheric intro fades in, it's clear this is not just another Answer album. James Heatley's steady beat behind the sparse guitars and dirty bass really drive home the otherworldly vibe. Most startling though is Cormac Neeson's vocals. We're used, by now, to hearing his banshee wail to kick things into overdrive from the get go, yet here he opts for a low growl, perfectly completing the picture. The chorus is a celtic gospel chant of the album's title track, the reverb drenched harmony really driving the new approach home.
This feel continues straight into the haunting Beautiful World, but the boys from County Down don't pussyfoot around for too long, the distorted guitars and a despairing wail from Neeson showing around the 1 minute 40 mark that they can still raise the volume when they need to, even if the ultimate effect is something entirely new. The acapella final line delivering the sort of spine tingling chills the band first did on the likes of No Questions Asked from their debut.
Not that it's all bleak atmospheric fare. Belfast's Streetwise Samba Band add their celtic shuffle to the upbeat Battle Cry. Left Me Standing shows the band haven't forgotten how to write a catchy rock tune during their evolution, and Demon Driven Man has absolutely all of the groove, as well as some tasty guitar licks courtesy of Paul Mahon. The six stringer in particular has never sounded better than he does here. Relieved of riff duties, for the most part, in favour of the overall melody of the songs, the freedom and space he's had to work within each tune's structure means that when his lead work does come to the fore, it's all the more prominent, and thus given even more impact. Nowhere is this more pronounced than on standout track Being Begotten, a constantly building bluesy number with some just outstanding playing.
It's clear throughout the album that the band have leaned heavily on their celtic roots. Thief of Light in particular could be an old Irish folk song, and there's just as much acoustic guitar and mandolin throughout the album as there is wailing Les Paul.
Ultimately Solas feels like an album The Answer wanted to make, rather than one they thought they should. It is simultaneously nothing like the band have made before, yet the truest Answer album to date. A sterling return to form.
Tracklisting:
Solas
Beautiful World
Battle Cry
Untrue Colour
In This Land
Thief Of Light
Being Begotten
Left Me Standing
Demon Driven Man
Real Life Dreamers
Tunnel
Sunday, 4 September 2016
REVIEW: Alter Bridge - The Last Hero
This review was originally written for GetYourRockOut.co.uk
Alter Bridge are now no longer young upstarts, or indeed middling metal bands, but are making the transition into arena rock behemoths. Whilst in many ways The Last Hero picks up from where Fortress left off, there's no sense of complacency, and in playing to their strengths they've laid a blueprint for upscaling their music to suit the live environment they now find themselves conquering.
Opener Show Me A Leader is typical Alter Bridge, epic picking intro, complete with wailing lead, giving way to an almost Dream Theatre-esque riff before Myles Kennedy's distinctive vocals take centre stage. Kennedy is in the form of his life here, pitching beautifully between knowing snarls and soaring high notes. The chorus - bound to be a crowd pleaser when the band heads out on tour - sets a more defiant and hopeful tone for the whole album than we've previously seen.
The contrast of the darker tone and gnarly riffs with Kennedy's most optimistic and defiant lyrics yet give the album a unique vibe within the band's catalogue. The likes of The Writing On The Wall and Poison In Your Veins both boast gut-busting Tremonti riffage and contumacious vocals, the listener in the latter being told "it's time for you to rise and be much more". Meanwhile Twilight sees the band entering the realm of political commentary. 'Tomorrow is contingent on the tolerance of every heart' - clearly calling out the likes of Trump on his plethora of bullshit, and probably the most compelling of Kennedy's lyrics. Just the right side of cheesey, they're saved by the sincerity with which Kennedy tends to infuse all his songs. Not just a commentary for commentary's sake but more a venting of his psyche, dealing with a larger theme with a still deeply personal approach.
The lighter-in-the-air ballades that Alter Bridge do so well return too. You Will Be Remembered a letter to loved ones lost in the vein of ABIII's In Loving Memory. The stand out track though is My Champion. Featuring a cascading lead intro and a genuinely uplifting chorus, it's slightly evocative of Bon Jovi, albeit with a much dirtier amp. Though the title flirts with power ballade cliche, it does well to stay the right side of it and was ultimately the track I hit the repeat button on the most.
Most interesting though are the more expansive tracks. The atmospheric Cradle To The Grave deploying acoustic guitars to create a Dance of Death era Iron Maiden vibe, and This Side Of Fate is equally ambitious. Violining intro and picked verses showing a characteristic deployment of dynamics to create the desired emotional response in the listener. Alter Bridge are becoming extremely adept at telling a story through not just the lyrics, but the music itself. There's a prog like Iron Maiden middle section again and they experiment with song structure to great effect, Kennedy's vocals truly soaring. The penchant for story telling surfaces again in the closing title track.
These more impressive, experimental songs hint of the band's possible future direction. Further exploration of the more expansive material could indeed be an extremely fertile field to plow. The Last Hero is a typically accomplished affair for the band. The only minor quibble would be Tremonti's lead work. Always crisp and technically impressive, it nevertheless lacks the real soul or gravitas of say, an Alex Lifeson solo. He should break out the blues albums and heed Peter Green's advice to Gary Moore of playing 'every other lick' to avoid becoming too much of a shredder, and set off those more epic tracks with some truly soulful lead work. Nevertheless, The Last Hero is yet another sterling piece of music from the boys from Florida.
Tracklisting:
Show Me a Leader
The Writing On The Wall
The Other Side
My Champion
Poison In Your Veins
Cradle To The Grave
Losing Patience
This Side Of Fate
You Will Be Remembered
Crows On A Wire
Twilight
Island of Fools
The Last Hero
Thursday, 4 August 2016
REVIEW: Blues Pills - Lady In Gold
This review was originally written for GetYourRockOut.co.uk

Two Swedes, an American, and a Frenchman go into a recording studio. What results is far from a joke, but rather a sterling piece of soulful, blues rock psychadelia. The Sweden based foursome have taken the 60s voodoo template of their 2014 debut and added lashings of soul and gospel elements to great effect.
This embellishment of the Blues Pills sound is evident right from the start, the title track opening with marching piano to the foreground and vocalist Elin Larsson's soulful banshee soaring over the top. The gospel style backing vocals adorning the track's crescendo complete the evolution from blues rock foreplay to psychedelic soul climax.
And the soulful notes keep coming, Little Boy Preacher bringing to mind flares and platform shoes rather than black lights and tie-dye shirts, and I Felt A Change is a straight up soul ballade, the simple electric piano really showcasing the emotion of Larsson's voice.
Not that the band have been castrated. Dorian Sorriaux's guitar may be less prevalent this time around, but it's subtlety makes it all the more impactful when it does take centre stage. The lysergic riff of Burned Out's atmospheric blues, coupled with the subtle organ, creating a remarkably transcendent atmosphere. Offset by a tremendous shuffle, and with Larsson taking it to church in the finale, it serves as a tremendous highlight only three tracks in.
Elsewhere there's more groove in the form of Bad Talkers and more blues powerhouses in the shape of You Gotta Try and Won't Go Back, the former with subtle similarities to former tour partners Rival Sons. Tony Joe White's Elements and Things gets the Blues Pills treatment to round things out. Sorriaux's crowning moment of the album, with the wah pedal being worked to the bone, his Peter Green-esque phrasing and economic note selection has him knocking on the door to be included alongside Joe Bonamassa and Scott Holiday in this generation's guitar heroes.
The work ethic embodied by Blues Pills' relentless touring in the wake of their debut has clearly paid dividends when it came to their sophomore studio effort. There's a greater variety in material than can be found on that freshman release, though it is very much more evolution than revolution. Some further experimentation and the taking of a few greater risks could've pushed the needle from fantastic to phenomenal, but on this trajectory the band are well on their way.
Tracklisting:
Lady In Gold
Little Boy Preacher
Burned Out
I Felt A Change
Gone So Long
Bad Talkers
You Gotta Try
Won't Go Back
Rejection
Elements And Things
Labels:
blues,
Blues Pills,
Lady In Gold,
psychadelic,
review,
rock,
soul
Thursday, 9 June 2016
REVIEW: Rival Sons - Hollow Bones
The fifth album from California rockers Rival Sons continues their trend for writing albums distinct from their predecessors. Yet in many ways it consolidates everything that's brought them from playing small clubs and bars, to opening arenas as special guests on Black Sabbath's final world tour, into one supremely accomplished package.
There's plenty of Scott Holiday's signature guitar work throughout, almost single handedly demonstrating that riff based music is not only still kicking, but happy to take on all comers in a no-holds-barred, steel cage contest. Which is not to say that there's no subtlety to the music. Rival Sons are masters of light and shade. This is shown in a number of tracks, Thundering Voices contrasting another huge guitar line and sensational drumming from Michael Miley with a delicate chorus and a middle section that immediately evokes Led Zeppelin's No Quarter. After being compared to the 70's behemoths since day one, Rival Sons have finally gone full Zep and it is awesome.
There's new tricks on show in the soulful Pretty Face, and the epic Fade Out again showcases that command of dynamics with some brilliant lead work from Holiday. One of the highlights of the album actually comes in the form of the first cover to grace a Rival Sons release. Their rendition of Ike and Tina Turner's Black Coffee - taking it's cues from the sublime Humble Pie version - is stripped of the high quality production that graces the rest of the album and fully demonstrates just what makes Sons such an exciting band. Without the bells and whistles you can really hear the talent on show, and the almost free-form, jamming nature of the track's closing moments is a glimpse into why they are one of the best live bands this writer has ever seen. Hollow Bones Pt.2 though is a masterful tour-de-force, and a clear demonstration that the band can be just as accomplished in a studio setting as in a live environment.
The album closes with a heart-wrenching and beautiful acoustic ballade from singer Jay Buchanan. It contrasts wonderfully with the more powerful preceding tracks, layers of strings and lap steel guitar building throughout the song, and is a beautiful ending to the album.
All in all, Rival Sons have struck a happy medium between the raw energy of their earlier releases and the high production values of their previous album Great Western Valkyrie. One gets the sense of a signature sound emerging, and the quartet, aided by '5th Son' producer Dave Cobb, certainly know how to use it. Hollow Bones is another outstanding addition to the Rival Sons discography.
Tracklisting:
Hollow Bones Pt.1
Tied Up
Thundering Voices
Baby Boy
Pretty Face
Fade Out
Black Coffee
Hollow Bones Pt.2
All That I Want
Tuesday, 31 May 2016
REVIEW: illustr8ors - Photopia
After building a reputation off of an EP and a debut album (not to mention a killer live act) under the Black Wolf name, Photopia is the first album by these five guys under their new moniker of illustr8ors. Ridiculous spelling aside, the evolution in sound here undoubtedly prompted the change in branding, and whilst the band maintains the same broad rock flavour as their earlier incarnation, there's a definite new maturity to their sound, setting it apart from earlier releases.
A record of consistently good album tracks, initial listening revealed no real stand out. The possible exception being Shush Shush, which qualifies as the only obvious single amongst the 10 tracks on offer. After multiple listens though a couple more come to the fore (Feels Like Dying, Steady Slow) and once you're familiar with the songs you can really start to appreciate the craft on offer. Won't Bury Me for example offers a tonne of groove, and the light and shade employed in Grace, coupled with an arena-rock chorus, demonstrate a real honing of the craft since the youthful exuberance of the Black Wolf releases. Nowhere is this more evident than the slow burning Citizen. Invoking 90's grunge the track builds to a great crescendo with which to end the album, though one would have loved a longer guitar solo to really put the icing on the cake. One suspects the influence of producer Toby Jepson in that.
Ultimately one of the band's greatest strengths also proves to be it's biggest weakness. Scott Sharp, besides possessing a stupendous larynx, is capable of some fantastically poetic lyrics. Unfortunately, in the pursuit of this imagery, the words don't always marry themselves well to the melody, which may explain the lack of any real anthemic hooks here. There's a lot to be said for descriptive verses, but in this format a 'Keep It Simple Stupid' approach to the chorus often wields the best results, as opening track Something Biblical attests.
Changing the name of the band is one way to get around the 'awkward second album' problem, but ultimately there's a real development in sound here and you get the sense that the Bristolian quintet now have a much greater sense of who they are and what they want to achieve. It's a grower, but Photopia is very strong album who's nuances are much more appreciated in familiarity.
Tracklisting:
Something Biblical
Your Animal
Feels Like Dying
Won't Bury Me
Swimming With Anchors
Steady Slow
Shush Shush
Heal You
Grace
Citizen
Friday, 20 May 2016
REVIEW: Buffalo Summer - Second Sun
Second Sun is the sophomore effort from Welsh rockers Buffalo Summer, taking the bluesy classic rock established by their eponymous 2013 debut and using it as a foundation to reach entirely new heights. The four lads from Neath have somehow maintained their familiar sound yet demonstrate an evolution in song-writing that indicates they've a future as much, much more than a classic rock nostalgia act.
The opening three tracks aptly demonstrate what the band are all about, continuing the big riff, big groove blueprint set out by their first album but with the polish and confidence that comes from several years honing your craft on tours across the UK and Europe. Make You Mine containing the first of many sing-a-long choruses and the Aerosmith-esque groove of Heartbreakin' Floorshakin' making it impossible to decline singer Andrew Hunt's invitation to 'get your dancing shoes on'.
Track 4 though, is when we get the first real evolution of the Buffalo Summer sound. Maintaining their signature groove but under a more mature, cooler vibe, a theme continued from here on out. Light Of The Sun encapsulating this perfectly, providing a real highlight midway through the record.
There's big, radio-rock choruses sandwiching out and out rockers - the balls to the wall, AC/DC style assault of Into Your Head a stand-out track - as well as hints of R&B and even Americana on the uplifting Priscilla. In many ways they save the best 'til last, album closer Water to Wine's country inspired guitar lines invoking images of top-down, windswept road trips, beers-on-the-beach jam sessions and adolescent, summer love affairs. It's a cracking song, with guitarist Jonny Williams' rip-roaring lead work bringing the curtain down on an impressive 12 tracks.
Buffalo Summer's embellishment of their established base ingredients with a more mature approach to song writing and a willingness to pull influence from outside their blues rock core make this an impressive second outing. If they continue in this vein, higher heights undoubtedly await.
Find it on iTunes
Tracklisting:
Money
Heartbreakin' Floorshakin'
Make You Mine
Neverend
As High As The Pines
Light Of The Sun
Levitate
Into Your Head
Little Charles
Priscilla
Bird On A Wire
Water To Wine
Friday, 15 April 2016
REVIEW: The River 68's - Piece EP
Piece is the third EP from Glaswegian rock n soul band The River 68's, following their initial self-titled effort and the recent 'live and acoustic at La Chunky'. Those who know the band will already be familiar with their soulful, rock n roll sound and this EP continues in that vein with great success. The four tracks here are all feel-good, uplifting numbers, with subtle gospel vibes to each that can't help but raise your spirits. The guitar work on the two openers is just dripping in Stones-esque swagger, complimented perfectly with honky tonk piano and exquisite vocal harmonies. This is all set off by the goose bump inducing vocals of lead singer Craig McCabe, surely the UK's finest undiscovered talent. There's some variety included in the slow burning Forget Your Illusion, a track capable of giving even this hardened atheist a spiritual moment, before Make Hay When The Sun Shines combines the best of both worlds to bring the EP to a close. It's another slice of genius by the Scottish outfit that is over all too quickly, but hopefully they'll be hitting the studio soon with a view to recording a full length effort. Without doubt ones to watch.
Tracklisting:
Sonny And The Second Hand Store
Rush
Forget Your Illusion
Make Hay When The Sun Shines
You can download this EP from the band's Bandcamp page here.
Sunday, 10 April 2016
REVIEW: Tax The Heat - Fed To The Lions
Fed To The Lions is the debut album from Bristol quartet Tax The Heat and as debut albums go it's an absolute barnstormer. This isn't a band still in search of their sound as many initial efforts can be, but rather a highly polished effort showcasing a real identity. A bed of hard rock riffs and 60's R&B swagger gives the foursome a hearty base from which to launch their songs.
And what songs they
are. The singles Highway Home and Animals kick things
off with aplomb, giving a strong indication of what to expect –
ballsy guitars and big choruses – without giving too much away
about what's in store further down the line. Whilst ostensibly 'blues
rock' the glossy production and Alex Veale's thoroughly modern
delivery of the vocals ensure that Tax The Heat are miles away from
your bog-standard classic rock band. Though there's still some
blistering lead runs by Veale that will keep that audience more than
happy, there are moments when indie flavours seep through to compliment the overall hard rock vibe.
Three tracks from the band's 2013 EP are reproduced here
including the song for which this album is named. Any other track
following the Wolfmother meets QOTSA Under Watchful Eye would
sound tame by comparison but the massive guitar sound, furious
drumming and stop start vocals make it one of this writer's
favourites on the album.
The true stand out
track though arrives at the mid-point in the shape of Some
Sympathy. Appearances at
Download, Calling Festival and others, as well as arena shows
alongside the likes of Thunder cry out for some sort of anthem and
Tax The Heat could have a stone cold classic on their hands right out
of the gate. With a huge sing-a-long chorus and simple, one-two punch
riff, it's no wonder they were able to win over those sorts of
crowds.
The
album rattles along at a good pace, the quartet eschewing ballades
and opting to keep the riffs coming right up until the climactic Lost
Our Way, a real showcase of the
musicianship these lads possess. A guitar god opening, giving way to
a melodious chorus demonstrating a command of light and shade, it's a
massive closing track that is just begging to be given an extended
workout live.
All
in all, few freshmen efforts can claim to be as polished and
self-assured as Fed To The Lions. If their career trajectory is any
indication, off the back of this record, Tax The Heat are poised for
big things.
Tracklisting:
Highway Home
Animals
Under Watchful Eye
Fed To The Lions
Hit Me Hard
Stood On The Platform
To Leave
Some Sympathy
Devil's Daughter
Learn To Drown (You're
Wrong)
Caroline
Your Fool
Lost Our Way
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